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Stones in Chinese / Japanese...
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| Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
磬 see styles |
qìng qing4 ch`ing ching kei / ke けい |
More info & calligraphy: Khánhsounding stone; qing; ancient Chinese chime shaped like a chevron (inverted 'v'), orig. of stone, today often metal, in Japan primarily used at Buddhist temples; (given name) Kei A piece of flat stone or metal, used as a gong, or for musical percussion. |
劫 see styles |
jié jie2 chieh kou; gou; kou / ko; go; ko こう; ごう; コウ |
to rob; to plunder; to seize by force; to coerce; calamity; abbr. for kalpa 劫波[jie2 bo1] (1) (こう, ごう only) {Buddh} kalpa (eon, aeon); (2) (kana only) {go} (usu. コウ) ko; position that allows for eternal capture and recapture of the same stones 刧 A kalpa, aeon, age; also translit. ka; 'a fabulous period of time, a day of Brahmā or 1, 000 Yugas, a period of four hundred and thirty-two million years of mortals, measuring the duration of the world; (a month of Brahmā is supposed to contain thirty such kalpas; according to the Mahābhārata twelve months of Brahmā constitute his year, and one hundred such years his lifetime; fifty years of Brahmā are supposed to have elapsed... ).' M. W. An aeon of incalculable time, therefore called a 大時節 great time-node. v. 劫波.; The three asaṃkhyeya kalpas, the three countless aeons, the period of a bodhisattva's development; also the past 莊嚴劫, the present 賢劫, and the future 星宿劫 kalpas. There are other groups. 三劫三千佛 The thousand Buddhas in each of the three kalpas. |
壘 垒 see styles |
lěi lei3 lei |
rampart; base (in baseball); to build with stones, bricks etc |
嶅 see styles |
áo ao2 ao |
hill strewn with stones; (used in place names) |
浜 see styles |
bīn bin1 pin hama(p); hama はま(P); ハマ |
Japanese variant of 濱|滨[bin1]; used in Japanese place names such as Yokohama 橫浜|横浜[Heng2 bin1] with phonetic value hama (1) beach; seashore; (2) (abbreviation) (kana only) {go} (See 揚げ浜・2) captured pieces; captured stones; (3) (abbreviation) (See 横浜) Yokohama; (4) (archaism) (osb:) riverbank; riverside; (personal name) Murahama |
砅 see styles |
lì li4 li |
cross stream by stepping on stones |
硍 see styles |
kèn ken4 k`en ken |
rumbling of rolling stones |
磥 see styles |
lěi lei3 lei |
a heap of stones; boulders |
礮 see styles |
pào pao4 p`ao pao |
ancient ballista for throwing heavy stones; variant of 炮[pao4], cannon |
襲 袭 see styles |
xí xi2 hsi souen / soen そうえん |
(bound form) to raid; to attack; (bound form) to continue the pattern; to perpetuate; (literary) classifier for suits of clothing or sets of bedding (1) pile; heap; layers (e.g. of clothing); set (e.g. of boxes); course (e.g. of stones); (counter) (2) counter for things that are stacked, piled up (or layered, etc.); (3) layers of clothing worn under one's overcoat; (4) (abbreviation) combination of colors created by layering of garments (colours); (personal name) Souen |
亀腹 see styles |
kamebara かめばら |
white plaster bun-shaped mound (used to support base stones, etc.) |
亂石 乱石 see styles |
luàn shí luan4 shi2 luan shih |
rocks; stones; rubble; riprap |
五果 see styles |
wǔ guǒ wu3 guo3 wu kuo goka ごか |
(1) five fruits (peach, Japanese plum, apricot, jujube, Japanese chestnut); (2) (Buddhist term) five types of effect in cause-and-effect relationships; (3) (Buddhist term) five effects of ignorance and formations on one's current life The five fruits, or effects; there are various groups, e. g. I. (1) 異熟果 fruit ripening divergently, e. g. pleasure and goodness are in different categories; present organs accord in pain or pleasure with their past good or evil deeds; (2) 等流果 fruit of the same order, e. g. goodness reborn from previous goodness; (3) 土用果 present position and function fruit, the rewards of moral merit in previous lives; (4) 增上果 superior fruit, or position arising from previous earnest endeavor and superior capacity: (5) 離繋果 fruit of freedom from all bonds, nirvana fruit. II. Fruit, or rebirth: (1) 識 conception (viewed psychologically); (2) 名色 formation mental and physical; (3) 六處 the six organs of perception complete; (4) 觸 their birth and contact with the world; (5) 受 consciousness. III. Five orders of fruit, with stones, pips, shells (as nuts), chaff-like (as pine seeds), and with pods. |
做活 see styles |
zuò huó zuo4 huo2 tso huo |
to work for a living (esp. of woman needleworker); life of a group of stones in Go 圍棋|围棋[wei2 qi2] |
切磋 see styles |
qiē cuō qie1 cuo1 ch`ieh ts`o chieh tso sessa せっさ |
to compare notes; to learn from one another (noun/participle) polishing (stones); polishing (character) |
割石 see styles |
wariishi / warishi わりいし |
broken stones; rubble; (place-name, surname) Wariishi |
匂玉 see styles |
nioidama においだま |
(1) tonsil stones; tonsillolith; (2) scent ball |
土石 see styles |
doseki どせき |
earth and stones; (surname) Doishi |
地合 see styles |
chigou / chigo ちごう |
(1) texture (cloth, fabric, paper); (2) market tone; undertone; (3) balance between the position of white and black stones (in go); (place-name) Chigou |
地藏 see styles |
dì zàng di4 zang4 ti tsang jizou / jizo じぞう |
Kṣitigarbha, the Bodhisattva of the Great Vow (to save all souls before accepting Bodhi); also translated Earth Treasury, Earth Womb, or Earth Store Bodhisattva (surname) Jizou Ti-tsang, J. Jizō, Kṣitigarbha, 乞叉底蘗沙; Earth-store, Earth-treasury, or Earthwomb. One of the group of eight Dhvani- Bodhisattvas. With hints of a feminine origin, he is now the guardian of the earth. Though associated with Yama as overlord, and with the dead and the hells, his role is that of saviour. Depicted with the alarum staff with its six rings, he is accredited with power over the hells and is devoted to the saving of all creatures between the nirvana of Śākyamuni and the advent of Maitreya the fifth century he has been especially considered as the deliverer from the hells. His central place in China is at Chiu-hua-shan, forty li south-west of Ch'ing-yang in Anhui. In Japan he is also the protector of travellers by land and his image accordingly appears on the roads; bereaved parents put stones by his images to seek his aid in relieving the labours of their dead in the task of piling stones on the banks of the Buddhist Styx; he also helps women in labour. He is described as holding a place between the gods and men on the one hand and the hells on the other for saving all in distress; some say he is an incarnation of Yama. At dawn he sits immobile on the earth 地 and meditates on the myriads of its beings 藏. When represented as a monk, it may be through the influence of a Korean monk who is considered to be his incarnation, and who came to China in 653 and died in 728 at the age of 99 after residing at Chiu-hua-shan for seventy-five years: his body, not decaying, is said to have been gilded over and became an object of worship. Many have confused 眞羅 part of Korea with 暹羅 Siam. There are other developments of Ti-tsang, such as the 六地藏 Six Ti-tsang, i. e. severally converting or transforming those in the hells, pretas, animals, asuras, men, and the devas; these six Ti-tsang have different images and symbols. Ti-tsang has also six messengers 六使者: Yama for transforming those in hell; the pearl-holder for pretas; the strong one or animals; the devīof mercy for asuras; the devī of the treasure for human beings; one who has charge of the heavens for the devas. There is also the 延命地藏 Yanming Ti-tsang, who controls length of days and who is approached, as also may be P'u-hsien, for that Purpose; his two assistants are the Supervisors of good and evil 掌善 and 掌惡. Under another form, as 勝軍地藏 Ti-tsang is chiefly associated with the esoteric cult. The benefits derived from his worship are many, some say ten, others say twenty-eight. His vows are contained in the 地藏菩薩本願經. There is also the 大乘大集地藏十電經 tr. by Xuanzang in 10 juan in the seventh century, which probably influenced the spread of the Ti-tsang cult. |
塊石 块石 see styles |
kuài shí kuai4 shi2 k`uai shih kuai shih kaiseki |
clumps of dirt and stones |
壘砌 垒砌 see styles |
lěi qì lei3 qi4 lei ch`i lei chi |
to build a structure out of layered bricks or stones |
大石 see styles |
taiseki; ooishi たいせき; おおいし |
(1) large stone; boulder; (2) {go} large group of stones; (surname) Ooseki |
岩組 see styles |
iwagumi いわぐみ |
arrangement of stones in a garden; (place-name) Iwagumi |
布石 see styles |
fuseki ふせき |
(1) {go} strategic arrangement of go stones at the beginning of a game; opening moves; (noun, transitive verb) (2) preparations; preparatory steps; arrangements; (laying the) groundwork (for) |
抜く see styles |
nuku ぬく |
(transitive verb) (1) to pull out; to draw out; to extract; to unplug; to weed; (transitive verb) (2) to omit; to leave out; to go without; to skip; (suf,v5k) (3) (after the -masu stem of a verb) to do to the end; to do thoroughly; to do completely; to do severely; (transitive verb) (4) to let out (e.g. air from a tyre); to drain (e.g. water from a bath); to empty; (transitive verb) (5) to pick out; to choose; to select; to extract; (transitive verb) (6) to pilfer; to steal; (transitive verb) (7) to remove; to get rid of; to take out; (transitive verb) (8) to pass; to overtake; to outstrip; to get ahead of; (transitive verb) (9) (also written 貫く) to pierce; to break through; to go through; (transitive verb) (10) to cut out (a shape); to create (a pattern) by dying the surrounding area; (transitive verb) (11) to seize; to capture; to reduce; (transitive verb) (12) to scoop (a story); (transitive verb) (13) to take out (an opponent's stones; in go); (Godan verb with "ku" ending) (14) (slang) (vulgar) to masturbate (of a male); to ejaculate (while masturbating); (Godan verb with "ku" ending) (15) (slang) to take (a photo); to record (video) |
揚浜 see styles |
agehama あげはま |
(1) artificially flooded salt farm above the high-tide mark; (2) captured pieces (in the game of go); captured stones |
握り see styles |
nigiri(p); nigiri(sk) にぎり(P); ニギリ(sk) |
(1) grasping; gripping; grasp; grip; clutch; (2) handful; fistful; (3) handle; grip; knob; (4) (abbreviation) (See 握り飯) onigiri; rice ball; (5) (abbreviation) (See 握り寿司) nigirizushi; hand-formed sushi with a topping of seafood, etc.; (6) (kana only) {go} (usu. written as ニギリ) determining who plays with black by grabbing a handful of stones and guessing whether the number of stones is odd or even |
敖包 see styles |
áo bāo ao2 bao1 ao pao |
(loanword from Mongolian) road or boundary marker made of piled up earth or stones, formerly worshipped as the dwelling place of spirits |
木石 see styles |
mù shí mu4 shi2 mu shih bokuseki ぼくせき |
(1) trees and stones; (2) unfeeling person; (given name) Bokuseki trees and rocks |
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