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Three Treasures of Buddhism
The Triple Gem
三寶 is the title for “Three Precious Treasures of Buddhism” or “The Triple Gem.”
These three treasures are the Buddha 佛, the Dharma 法 (teachings or the law of the Buddha), and the Sangha 僧 (the community of monks or followers).
This term is used by most (perhaps not all) Buddhists in China, Japan, and South Korea (written the same in the original form but pronounced differently in each language). Non-Buddhists may just read this as “Three Treasures” without the religious context. For instance, there is also a “Three Treasures of Chinese Medicine” that is sometimes titled the same way.
In modern Japanese and Simplified Chinese, this is written 三宝 instead of 三寶.
Buddha Dharma Sangha
fó fǎ sēng
buppō sō
佛法僧 is the Buddha, Dharma, and Saṅgha.
These three characters are the “Triple Gem” of Buddhism or the Buddhist Trinity.
Take Refuge in the Three Treasures
nán mo sān bǎo
na mu san bou
南無三寶 means to take refuge in the three treasures (of Buddhism).
This starts with the phonetic “南無” or “Namo/Namu” trying to sound like the original Pali or Sanskrit, followed by “三寶” being more literally the three treasures.
Take Refuge in the Three Treasures
guī yī sān bǎo
ki e san bou
歸依三寶 means to take refuge in the three treasures (of Buddhism).
This is the literal (there is also a partially-phonetic version) way to express taking refuge in the three treasures by the actual meaning of the characters.
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Below are some entries from our dictionary that may match your buddha dharma sangha search...
| Characters If shown, 2nd row is Simp. Chinese |
Pronunciation Romanization |
Simple Dictionary Definition |
佛法僧 see styles |
fó fǎ sēng fo2 fa3 seng1 fo fa seng buppō sō |
More info & calligraphy: Buddha Dharma Sangha |
三宝 see styles |
sanbou; sanpou / sanbo; sanpo さんぼう; さんぽう |
More info & calligraphy: Three Treasures of Buddhism |
佛寶 佛宝 see styles |
fó bǎo fo2 bao3 fo pao buppō |
法寳, 僧寳 Buddha, Dharma, Saṅgha, i.e. Buddha, the Law, the Order; these are the three Jewels, or precious ones, the Buddhist Trinity; v. 三寳. |
仏法僧 see styles |
buppousou; buppousou / bupposo; bupposo ぶっぽうそう; ブッポウソウ |
(1) (ぶっぽうそう only) {Buddh} (See 三宝・さんぼう) Buddha, Dharma, Sangha; The Three Jewels; Buddha, the teachings of Buddha, and the community of monks and nuns; (2) (kana only) Oriental dollarbird (Eurystomus orientalis); (3) (kana only) roller (any bird of family Coraciidae); (4) (See コノハズク) Eurasian scops owl (Otus scops) |
歸依佛 归依佛 see styles |
guī yī fó gui1 yi1 fo2 kuei i fo kie butsu |
歸依法; 歸依僧 To commit oneself to the triratna, i.e. Buddha, Dharma, Saṅgha; Buddha, his Truth and his Church. |
三歸依 三归依 see styles |
sān guī yī san1 gui1 yi1 san kuei i san kie |
the Three Pillars of Faith (Buddha, dharma, sangha), aka 三寶|三宝[san1 bao3] three refuges |
十發趣心 十发趣心 see styles |
shí fā qù xīn shi2 fa1 qu4 xin1 shih fa ch`ü hsin shih fa chü hsin jū hosshu shin |
The ten directional decisions: (1) renouncement of the world; (2) observance of the commandments; (3) patience or endurance; (4) zealous progress; (5) meditation; (6) wisdom or understanding; (7) 願心 the will for good for oneself and others; (8) 護心 protection (of Buddha, Dharma, Sangha); (9) 喜心 joy; (10) 頂心 highest wisdom. v. 梵綱經, 心地品. |
三寶 三宝 see styles |
sān bǎo san1 bao3 san pao sanbou / sanbo さんぼう |
More info & calligraphy: Three Treasures of Buddhism(surname) Sanbou three treasures |
三寳 三宝 see styles |
sān bǎo san1 bao3 san pao sanbō |
Triratna, or Ratnatraya, i.e. the Three Precious Ones: 佛 Buddha, 法 Dharma, 儈 Saṅgha, i.e. Buddha, the Law, the Ecelesia or Order. Eitel suggests this trinity may be adapted from the Trimūrti, i.e, Brahma, Viṣṇu, and Sīva. The Triratna takes many forms, e.g. the Trikāya 三身 q.v. There is also the Nepalese idea of a triple existence of each Buddha as a Nirvāṇa-Buddha, Dhyāni-Buddha, and Mānuṣi-Buddha; also the Tantric trinity of Vairocana as Nirvāṇa-Buddha, Locana according to Eitel "existing in reflex in the world of forms", and the human Buddha, Śākyamuni. There are other elaborated details known as the four and the six kinds of triratna 四 and 六種三寳, e.g. that the Triratna exists in each member of the trinity. The term has also been applied to the 三仙 q.v. Popularly the 三寳 are referred to the three images in the main hall of monasteries. The centre one is Śākyamuni, on his left Bhaiṣajya 藥師 and on his right Amitābha. There are other explanations, e.g. in some temples Amitābha is in the centre, Avalokiteśvara on his left, and Mahāsthāmaprāpta or Mañjuśrī on his right. Table of Triratna, Trikāya, and Trailokya: — DHARMASAṄGHABUDDHAEssential BodhiReflected BodhiPractical BodhiDhyāni BuddhaDhyāni BodhisattvaMānuṣī BuddhaDharmakāyaSambhogakāyaNirmāṇakāyaPurityCompletenessTransformations4th Buddha-kṣetra3rd Buddha-kṣetra1st and 2nd Buddha kṣetraArūpadhātuRūpadhātuKāmadhātu. |
三歸 三归 see styles |
sān guī san1 gui1 san kuei sanki |
Triśaraṇa, or Śaraṇa-gamana. The three surrenders to, or "formulas of refuge" in, the Three Precious Ones 三賓, i.e. to the Buddha 佛, the Dharma 法, the Saṅgha 僧. The three formulas are 歸依佛 Buddham śaraṇaṃ gacchāmi, 歸依法 Dharmaṃ saraṇaṃ gacchāmi, 歸依僧 Saṅghaṃ śaraṇaṃ gacchāmi. It is "the most primitive formula fidei of the early Buddhists". The surrender is to the Buddha as teacher 師, the Law as medicine 藥, the Ecclesia as friends 友. These are known as the 三歸依. |
三身 see styles |
sān shēn san1 shen1 san shen sanjin; sanshin さんじん; さんしん |
{Buddh} trikaya (three bodies of the Buddha); (surname) Sanmi trikāya. 三寶身 The threefold body or nature of a Buddha, i.e. the 法, 報, and 化身, or dharmakāya, sambhogakāya, and nirmāṇakāya. The three are defined as 自性, 受用, and 變化, the Buddha-body per se, or in its essential nature; his body of bliss, which he "receives" for his own "use" and enjoyment; and his body of transformation, by which he can appear in any form; i.e. spiritual, or essential; glorified; revealed. While the doctrine of the trikāya is a Mahāyāna concept, it partly results from the Hīnayāna idealization of the earthly Buddha with his thirty-two signs, eighty physical marks, clairvoyance, clairaudience, holiness, purity, wisdom, pity, etc. Mahāyāna, however, proceeded to conceive of Buddha as the Universal, the All, with infinity of forms, yet above all our concepts of unity or diversity. To every Buddha Mahāyāna attributed a three-fold body: that of essential Buddha; that of joy or enjoyment of the fruits of his past saving labours; that of power to transform himself at will to any shape for omnipresent salvation of those who need him. The trinity finds different methods of expression, e.g. Vairocana is entitled 法身, the embodiment of the Law, shining everywhere, enlightening all; Locana is 報身; c.f. 三賓, the embodiment of purity and bliss; Śākyamuni is 化身 or Buddha revealed. In the esoteric sect they are 法 Vairocana, 報 Amitābha, and 化 Śākyamuni. The 三賓 are also 法 dharma, 報 saṅgha, 化 buddha. Nevertheless, the three are considered as a trinity, the three being essentially one, each in the other. (1) 法身 Dharmakāya in its earliest conception was that of the body of the dharma, or truth, as preached by Śākyamuni; later it became his mind or soul in contrast with his material body. In Mādhyamika, the dharmakāya was the only reality, i.e. the void, or the immateria1, the ground of all phenomena; in other words, the 眞如 the tathāgatagarbha, the bhūtatathatā. According to the Huayan (Kegon) School it is the 理or noumenon, while the other two are氣or phenomenal aspects. "For the Vijñānavāda... the body of the law as highest reality is the void intelligence, whose infection (saṃkleҫa) results in the process of birth and death, whilst its purification brings about Nirvāṇa, or its restoration to its primitive transparence" (Keith). The "body of the law is the true reality of everything". Nevertheless, in Mahāyāna every Buddha has his own 法身; e.g. in the dharmakāya aspect we have the designation Amitābha, who in his saṃbhogakāya aspect is styled Amitāyus. (2) 報身Sambhogakāya, a Buddha's reward body, or body of enjoyment of the merits he attained as a bodhisattva; in other words, a Buddha in glory in his heaven. This is the form of Buddha as an object of worship. It is defined in two aspects, (a) 自受用身 for his own bliss, and (b) 他受用身 for the sake of others, revealing himself in his glory to bodhisattvas, enlightening and inspiring them. By wisdom a Buddha's dharmakāya is attained, by bodhisattva-merits his saṃbhogakāya. Not only has every Buddha all the three bodies or aspects, but as all men are of the same essence, or nature, as Buddhas, they are therefore potential Buddhas and are in and of the trikāya. Moreover, trikāya is not divided, for a Buddha in his 化身 is still one with his 法身 and 報身, all three bodies being co-existent. (3) 化身; 應身; 應化身 nirmāṇakāya, a Buddha's transformation, or miraculous body, in which he appears at will and in any form outside his heaven, e.g. as Śākyamuni among men. |
十地 see styles |
shí dì shi2 di4 shih ti juuji / juji じゅうじ |
{Buddh} dasabhumi (forty-first to fiftieth stages in the development of a bodhisattva); (place-name) Jūji daśabhūmi; v. 十住. The "ten stages" in the fifty-two sections of the development of a bodhisattva into a Buddha. After completing the十四向 he proceeds to the 十地. There are several groups. I. The ten stages common to the Three Vehicles 三乘 are: (1) 乾慧地 dry wisdom stage, i. e. unfertilized by Buddha-truth, worldly wisdom; (2) 性地 the embryo-stage of the nature of Buddha-truth, the 四善根; (3) 八人地 (八忍地), the stage of the eight patient endurances; (4) 見地 of freedom from wrong views; (5) 薄地 of freedom from the first six of the nine delusions in practice; (6) 離欲地 of freedom from the remaining three; (7) 巳辨地 complete discrimination in regard to wrong views and thoughts, the stage of an arhat; (8) 辟支佛地 pratyeka-buddhahood, only the dead ashes of the past left to sift; (9) 菩薩地 bodhisattvahood; (10) 佛地 Buddhahood. v. 智度論 78. II. 大乘菩薩十地 The ten stages of Mahāyāna bodhisattva development are: (1) 歡喜地 Pramuditā, joy at having overcome the former difficulties and now entering on the path to Buddhahood; (2) 離垢地 Vimalā, freedom from all possible defilement, the stage of purity; (3) 發光地 Prabhākarī, stage of further enlightenment; (4) 焰慧地 Arciṣmatī, of glowing wisdom; (5) 極難勝地 Sudurjayā, mastery of utmost or final difficulties; (6) 現前地 Abhimukhī, the open way of wisdom above definitions of impurity and purity; (7) 遠行地 Dūraṁgamā, proceeding afar, getting above ideas of self in order to save others; (8) 不動地 Acalā, attainment of calm unperturbedness; (9) 善慧地 Sādhumatī, of the finest discriminatory wisdom, knowing where and how to save, and possessed of the 十力 ten powers; (10) 法雲地 Dharmamegha, attaining to the fertilizing powers of the law-cloud. Each of the ten stages is connected with each of the ten pāramitās, v. 波. Each of the 四乘 or four vehicles has a division of ten. III. The 聲聞乘十地 ten Śrāvaka stages are: (1) 受三歸地 initiation as a disciple by receiving the three refuges, in the Buddha, Dharma, and Saṅgha; (2) 信地 belief, or the faith-root; (3) 信法地 belief in the four truths; (4) 内凡夫地 ordinary disciples who observe the 五停心觀, etc.; (5) 學信戒 those who pursue the 三學 three studies; (6) 八人忍地 the stage of 見道 seeing the true Way; (7) 須陀洹地 śrota-āpanna, now definitely in the stream and assured of nirvāṇa; (8) 斯陀含地 sakrdāgāmin, only one more rebirth; (9) 阿那含地 anāgāmin, no rebirth; and (10) 阿羅漢地 arhatship. IV. The ten stages of the pratyekabuddha 緣覺乘十地 are (1) perfect asceticism; (2) mastery of the twelve links of causation; (3) of the four noble truths; (4) of the deeper knowledge; (5) of the eightfold noble path; (6) of the three realms 三法界; (7) of the nirvāṇa state; (8) of the six supernatural powers; (9) arrival at the intuitive stage; (10) mastery of the remaining influence of former habits. V. 佛乘十地 The ten stages, or characteristics of a Buddha, are those of the sovereign or perfect attainment of wisdom, exposition, discrimination, māra-subjugation, suppression of evil, the six transcendent faculties, manifestation of all bodhisattva enlightenment, powers of prediction, of adaptability, of powers to reveal the bodhisattva Truth. VI. The Shingon has its own elaborate ten stages, and also a group 十地十心, see 十心; and there are other groups. |
三寶物 三宝物 see styles |
sān bǎo wù san1 bao3 wu4 san pao wu san bōmotsu |
The things appertaining to the triratna, i.e. to the Buddha— temples and images, etc.; to the dharma— the scriptures; to the saṅgha— cassock, bowl, etc. |
一體三寶 一体三宝 see styles |
yī tǐ sān bǎo yi1 ti3 san1 bao3 i t`i san pao i ti san pao ittai no sanbō |
In the one body of the saṅgha is the whole triratna, Buddha, Dharma, and saṅgha. Also, Mind, Buddha, and the living, these three are without differentiation, 心佛與衆生是三無差別, i.e. are all one. |
三宝荒神 see styles |
sanboukoujin / sanbokojin さんぼうこうじん |
(1) {Buddh} (See 三宝) guardian deity of the three jewels (Buddha, Dharma and Sangha); (2) three-person saddle |
化相三寶 化相三宝 see styles |
huà xiàng sān bǎo hua4 xiang4 san1 bao3 hua hsiang san pao kesō sanbō |
The nirmāṇakāya Buddha in the triratna forms; in Hīnayāna these are the human 16-foot Buddha, his dharma as revealed in the four axioms and twelve nidānas, and his sangha, or disciples, i. e. arhats and pratyekabuddhas. |
南無三宝 see styles |
namusanbou / namusanbo なむさんぼう |
(exp,int) (1) (yoji) {Buddh} (See 三宝・さんぼう) Homage to the Three Jewels (Buddha, Dharma and Sangha); (interjection) (2) (dated) (yoji) oh no!; good heavens!; oops |
The following table may be helpful for those studying Chinese or Japanese...
| Title | Characters | Romaji (Romanized Japanese) | Various forms of Romanized Chinese | |
| Three Treasures of Buddhism | 三寶 三宝 | san bou / sanbou / san bo | sān bǎo / san1 bao3 / san bao / sanbao | san pao / sanpao |
| Buddha Dharma Sangha | 佛法僧 | buppō sō / buppōsō / bupō sō | fó fǎ sēng fo2 fa3 seng1 fo fa seng fofaseng | |
| Take Refuge in the Three Treasures | 南無三寶 南无三宝 | na mu san bou namusanbou na mu san bo | nán mo sān bǎo nan2 mo san1 bao3 nan mo san bao nanmosanbao | nan mo san pao nanmosanpao |
| Take Refuge in the Three Treasures | 歸依三寶 归依三宝 | ki e san bou kiesanbou ki e san bo | guī yī sān bǎo gui1 yi1 san1 bao3 gui yi san bao guiyisanbao | kuei i san pao kueiisanpao |
| In some entries above you will see that characters have different versions above and below a line. In these cases, the characters above the line are Traditional Chinese, while the ones below are Simplified Chinese. | ||||
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